The acceptance of formerly taboo themes in music serves as a contrast to music of the past.
An argument could be posed that musically, we live in a ‘post-innovative’ period. What does that big, fancy label mean in simple terms? It means that at least a majority of new musical ideas have already occurred and now music is basically in a period of recycling trends. A generalization? To an extent, BUT after centuries of gargantuan innovation in music, it is certainly hard to invent something that somebody else hasn’t already done before. I have a rebuttal to the argument though.
Even if ...
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